Yellow vase, 2023
It was fun to play with something that should remind us of a classic still-life painting. Here we have all the common components: a table, a vase, flowers... And some soap bubbles.
In white, 2023
The imperfect perfection of nature is struggling to withstand our civilization. How much of it can remain?
Falling apart, 2023
We like to experiment with flat geometric forms, combining them with three-dimensional objects like flowers. In our opinion, this creates a nice contrast to the commonly expected plasticity that photography is known for.
Tulip and water, 2023
The second image we've created together depicts water falling from nowhere — a rather mysterious motif that we like very much and have already utilized several times.
Autumn 2023, 2023
The last floral photograph from 2023... We believe you can sense it.
Despite, 2023
Is it possible to survive where it's not meant to survive?
Or to live if living wasn't meant to be.
Or even to thrive where it's not meant to survive?
If so, does it represent hope, or does it lead to condemnation?
Floating flower, 2023
The process of creating pictures often resembles a form of meditation. It gives us something that is quite rare in everyday life. Is it possible to translate this feeling to the viewer on the other side of the monitor?
Moonlight, 2023
This was our first attempt to replicate moonlight. We hadn’t done it before, and it turned out to be quite a challenge.
Leaf of a water lily, 2023
We began our creative journey in 2023, the year of AI. We had some real concerns: is it the right time to start a big and demanding photography project? Will there be any demand and interest for our work, or could AI and robots replace us in the very near future? We guess nobody knows for sure, and of course, we still have all these concerns and fears. But we are still very happy we made the decision to give it a try and went on.
Redness, 2023
Originally, this image was going to be the cover for the first edition of our art calendar. We believe the best format is the one that suits the subject best. While most of our images end up in portrait format, there are various reasons for this, but none are particularly decisive. It's more of a preference.
Burned by the sun, 2023
Blazing sun... Wilted flower... Colors and tones that strain the eyes. The beauty and peril of the sun converge in the death of something that once lived.
Water lily, 2023
Normally, we strictly follow our initial idea and the drawings we make. But this picture was a lucky exception. We didn’t know water lilies were blooming as we planned to make this series. So, we had drawn some flower petals, dark and bright. And then, Victor’s mom showed us her beautiful pond...
A captured flower, 2023
Believe it or not, but this neat flower was meant to be an allegory for totalitarianism. Yes, that’s right.
Floating, 2023
Fun fact — we developed this idea after discussing our favorite animated movie: "Ferngully: The last rainforest". Actually, this was not the only idea from that evening.
Still life with bubbles, 2023
This work is a little bit special for us, because it’s actually the first one. Here, we wanted to find our own philosophy, some building blocks of what we should create in the future.
In the dark, 2023
It’s important for us to do as much as we can in camera. We see this as the only way to capture all those small details that real physics produce and which cannot be replicated in post.
Tulip and water, 2023
The second image we've created together depicts water falling from nowhere — a rather mysterious motif that we like very much and have already utilized several times.
Falling apart, 2023
We like to experiment with flat geometric forms, combining them with three-dimensional objects like flowers. In our opinion, this creates a nice contrast to the commonly expected plasticity that photography is known for.
Autumn 2023, 2023
The last floral photograph from 2023... We believe you can sense it.
Water lily, 2023
Normally, we strictly follow our initial idea and the drawings we make. But this picture was a lucky exception. We didn’t know water lilies were blooming as we planned to make this series. So, we had drawn some flower petals, dark and bright. And then, Victor’s mom showed us her beautiful pond...
Leaf of a water lily, 2023
We began our creative journey in 2023, the year of AI. We had some real concerns: is it the right time to start a big and demanding photography project? Will there be any demand and interest for our work, or could AI and robots replace us in the very near future? We guess nobody knows for sure, and of course, we still have all these concerns and fears. But we are still very happy we made the decision to give it a try and went on.
Floating, 2023
Fun fact — we developed this idea after discussing our favorite animated movie: "Ferngully: The last rainforest". Actually, this was not the only idea from that evening.
Redness, 2023
Originally, this image was going to be the cover for the first edition of our art calendar. We believe the best format is the one that suits the subject best. While most of our images end up in portrait format, there are various reasons for this, but none are particularly decisive. It's more of a preference.
Floating flower, 2023
The process of creating pictures often resembles a form of meditation. It gives us something that is quite rare in everyday life. Is it possible to translate this feeling to the viewer on the other side of the monitor?
Yellow vase, 2023
It was fun to play with something that should remind us of a classic still-life painting. Here we have all the common components: a table, a vase, flowers... And some soap bubbles.
A captured flower, 2023
Believe it or not, but this neat flower was meant to be an allegory for totalitarianism. Yes, that’s right.
Despite, 2023
Is it possible to survive where it's not meant to survive?
Or to live if living wasn't meant to be.
Or even to thrive where it's not meant to survive?
If so, does it represent hope, or does it lead to condemnation?
Burned by the sun, 2023
Blazing sun... Wilted flower... Colors and tones that strain the eyes. The beauty and peril of the sun converge in the death of something that once lived.
Moonlight, 2023
This was our first attempt to replicate moonlight. We hadn’t done it before, and it turned out to be quite a challenge.
In white, 2023
The imperfect perfection of nature is struggling to withstand our civilization. How much of it can remain?
In the dark, 2023
It’s important for us to do as much as we can in camera. We see this as the only way to capture all those small details that real physics produce and which cannot be replicated in post.
Still life with bubbles, 2023
This work is a little bit special for us, because it’s actually the first one. Here, we wanted to find our own philosophy, some building blocks of what we should create in the future.